Periodistas y prensa semanal en el golpe de estado del 28 de junio de 1966La caída de Illia y la revolución Argentina.

Abstract

The thesis studies the relation between politics and the mass media as training of tendencies in the public opinion and between the authoritarian sectors led by the army and a new written press weekly of general information. The first part of the thesis develops the sociopolítical context that includes the coup d'etat that, in September of 1955, Domingo Perón overthrows to the second government of Juan; the presidencies de facto of generals Lonardi and soon Aramburu, the constitutional government of Arturo Frondizi, its overthrow, in March of 1962, and replacement by Jose Maria Guido, provisional president of the Senate, the electoral triumph, in 1963 of Arturo Illia and its later destitution, by one Military committee, in June of 1966. The second part includes the analysis of the constitution of the history of the magazines and the press like a specific historiográfic field, the development of the "New Periodism" and its impact and influences in literature and presses Argentinean. Next one analyzes the content and the informative strategies of three weekly reviews of information general - "Primera Plana", "Todo" and "Confirmado"- that responds to the informative guidelines previously mentioned, as thus also we dedicated a chapter to the critical arguments of the political editorial-writers of these publications taking care of its entailment with the development of the civic-military conspiracy destined to destabilize the constitutional government. These writers propose a critic to the government of the UCRP and to the politic system whose is considered pernicious for the economic growth, thesociopolítical integration and the national security in the context of "Cold War". In the last chapter we presented the attitude of president Illia as opposed to this journalistic campaign and to the coup d'etat in blossoming, like thus also the construction of an alternative leadership of authoritarian style in the figure of general Onganía.