Por qué recurrir al mito según los propios dramaturgosUnamuno, Pemán, Buero Vallejo

  1. Tomás Silva Sánchez 1
  1. 1 Universidad de Cádiz
    info

    Universidad de Cádiz

    Cádiz, España

    ROR https://ror.org/04mxxkb11

Journal:
Tropelias: Revista de teoría de la literatura y literatura comparada

ISSN: 1132-2373

Year of publication: 2020

Issue: 33

Pages: 45-60

Type: Article

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More publications in: Tropelias: Revista de teoría de la literatura y literatura comparada

Abstract

This paper investigates the association between the plays Fedra by Miguel de Unamuno, Antígona by José María Pemán and La tejedora de sueños by Antonio Buero Vallejo. Although their authors represent different conceptions and stages of the 20th century Spanish theatre, the three of them coincided in a self-confessed interest in the ancient Greek tragedy and in their desire to perform new versions of the myths. Contrasting the particular interest and objectives of Unamuno, Pemán and Buero will shed some light on both the differences and the possible common elements between their dramatic recreations and will provide an overview of the treatment of the myth in the 20th century Spanish theatre.

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