Adaptaciones teatrales en el cine de Pedro AlmodóvarCocteau, Williams y Lorca

  1. De la Torre Espinosa, M. 1
  1. 1 Universidad de Granada
    info

    Universidad de Granada

    Granada, España

    ROR https://ror.org/04njjy449

Revista:
Revista de comunicación

ISSN: 1684-0933,  2227-1465

Ano de publicación: 2018

Número: 17

Páxinas: 101-124

Tipo: Artigo

DOI: 10.26441/RC17.2-2018-A4 DIALNET GOOGLE SCHOLAR

Outras publicacións en: Revista de comunicación

Obxectivos de Desenvolvemento Sustentable

Resumo

The cinema by Pedro Almodóvar is considered as theatrical. As main reason, the continued use of theatre intertexts. The main goal of this article is study the modus operandi of the Spanish filmmaker in the adaptation of theatre plays in his cinema. We will analyze the mise-en-scene of the plays La Voix Humaine by Jean Cocteau, A Streetcar Named Desire by Tennessee Williams, and Bodas de Sangre and Yerma by Federico García Lorca in the films La ley del deseo, Mujeres al borde de un ataque de nervios and Todo sobre mi madre. According the classifications by Anxo Abuín and José Antonio Pérez Bowie, we conclude that the artifice of this cinema is inserted in a theatrum mundi vision, with an evident performativity.

Fonte de datos: Dialnet