«We don't eat people»la nueva ética del sistema caníbal propuesta por la narrativa audiovisual postapocalíptica del siglo XXI.

  1. Rodríguez de Austria Giménez de Aragón, Alfonso Maximiliano 1
  1. 1 Universidad Centroamericana (UCA) de Nicaragua
Revue:
Daimon: revista internacional de filosofía

ISSN: 1130-0507 1989-4651

Année de publication: 2016

Titre de la publication: Filosofía y cuerpo desde el pensamiento greco-romano hasta la actualidad. En memoria de Rocío Orsi Portalo

Número: 5

Pages: 737-745

Type: Article

DOI: 10.6018/DAIMON/269071 DIALNET GOOGLE SCHOLAR

D'autres publications dans: Daimon: revista internacional de filosofía

Résumé

The disaster movie genre is closely related to the times of economic and social crisis. The consolidation of the genre came from the «oil crisis» in the early seventies. These films worked as a catharsis and showed real people how lucky they were because of suffering just an economic crisis and not something worse. The global crisis that emerged in 2005 has brought a new accumulation of films focusing on how will be life after the Apocalypse. These films don’t work as a catharsis, instead they are proposing the withdrawal of our old morals schemes in favor of a new ethics of survival. An ethics more in line with the global and perpetual crisis that we are going to suffer from now on.

Références bibliographiques

  • KLEIN, N. (2009): La doctrina del Shock. El auge del capitalismo del desastre, Barcelona, Paidós.
  • MATHESON, R. (2007): I Am Legend, Nueva York, Tor.
  • MORGAN, R. (2006): Leyes de mercado, Barcelona, Gigamesh.
  • RODRÍGUEZ DE AUSTRIA, A. M. (2015): «El código de producción de Hollywood (1930-1966): censura, marcos (frames) y hegemonía.» ZER, Vol 20, Nº 39, 2015.
  • ROSS, D. (2009): The Right and the Good, Oxford, Oxford University Press.