The Evolution of Jane Eyre in Film Adaptationfrom Classic Female Stereotype to Independent Woman

  1. Durán Manso, Valeriano 1
  2. Raya-Bravo, Irene 2
  3. Sánchez-Labella Martín, Inmaculada 2
  1. 1 Universidad de Cádiz
  2. 2 Universidad de Sevilla
    info

    Universidad de Sevilla

    Sevilla, España

    ROR https://ror.org/03yxnpp24

Revista:
Ars longa: cuadernos de arte

ISSN: 1130-7099

Año de publicación: 2021

Número: 30

Páginas: 325-339

Tipo: Artículo

DOI: 10.7203/ARSLONGA.30.16831 DIALNET GOOGLE SCHOLAR lock_openIdus editor

Otras publicaciones en: Ars longa: cuadernos de arte

Resumen

Jane Eyre is one of the English novels that has been most adapted for the big screen. The recreation of the Victorian atmosphere by Charlotte Brontë, the female author of the novel, as well as the universe of its main character, an orphaned girl who manages to survive as a governess in a hostile environment have been specially interesting for the film world. Furthermore, Jane Eyre's markedly feminist character has converted her into a pioneering character in this medium, in addition to determining her timelessness. With the aim of gainning further insights into the representation of Jane Eyre in the film adaptations directed by Robert Stevenson (1944), Franco Zeffirelli (1996) and Cary Fukunaga (2011). This paper makes an an analysis on the character as a person and as a role model, according to the theories of Francesco Casetti and Federico Di Chio (2007). On the basis of these considerations, the intention is to highlight how the character and her feminist tenor have envolved from classic cinema up until the present day.

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Fuente de los datos: Dialnet