Imágenes y estereotipos del indígena en la producción fílmica de Ciro Guerra:Pájaros de verano

  1. Carmen Laura Paz Reverol
  2. María Dolores Fuentes Bajo
Aldizkaria:
Amérique latine histoire et mémoire: Les Cahiers ALHIM

ISSN: 1777-5175

Argitalpen urtea: 2023

Zenbakien izenburua: Images et stéréotypes de l’Amérique latine à travers l’art audiovisuel : continuité, rupture et constructions identitaires I

Zenbakia: 45

Orrialdeak: 3

Mota: Artikulua

DOI: 10.4000/ALHIM.11535 DIALNET GOOGLE SCHOLAR lock_openSarbide irekia editor

Beste argitalpen batzuk: Amérique latine histoire et mémoire: Les Cahiers ALHIM

Laburpena

The goal of this article is to study the image of indigenism offered by the Colombian cinema; for this we will look at one of the most awarded directors, Ciro Guerra, and his movie Birds of Passage, released in 2018. In this movie the director focuses on the Wayuu people in the golden period of the “marimba”. In this sense, we propose to focus our attention on the analysis of the images and stereotypes that are built on the indigenous and that are skillfully shown by Ciro Guerra in his transition from invisibility to vindication. This without leaving aside problems around the drug trafficking that destructure the lives of indigenous people.